MSc Dissertation (by research)

Student	Title	Defense date
JACYARA CONCEIÇÃO ROSA MARDGAN	CAXAMBU OF THE HORIZON THE ANDORINHA: MEMORY AND BELONGING TO BLACK CULTURE	31/07/2017
CAMILA DE SOUZA SILVA	CIRCULATION OF IMAGES AND ARTISTIC DISPLACEMENTS: FROM PHYSICAL TO VIRTUAL	29/04/2020
BRUNA WANDEKOKEN	COLOR, PORTRAIT AND IDENTITY: Humanae, the look on each other and on the other In the work of Angelica Dass	04/05/2017
DARIO IVAN RAMIREZ PEDRAZA	Considerations on the concept of Void in the artistic production of artists Waltercio Caldas and Gordon Matta-Clark	25/08/2017
CLARA SAMPAIO CUNHA	Curation and artistic practice: reflexions on contemporary curation and the displacement between the role of the artist and curator	04/05/2016
ARLANE GOMES MARINHO	Denounce and Sensitivity: The Nair Benedicto's photographic production	29/04/2020
GREICY KELLY TEIXEIRA DOS SANTOS	Desenho; Linha; Espaço; Gesto; Corpo; Tridimensionalidade	26/09/2023
ANA DE ALMEIDA	Do you see my aura, what color is it? Seeing and hearing in Arthur Bispo do Rosario	06/05/2020
MARIA MARTA MORRA TOMÉ	ECO (RE) EXISTENCE: the natural element as an expression of strength and political gesture in the art of Frans Krajcberg	22/09/2020
ARNOLL JONATHAN CARDALES GARZON	EST-ÉTICA AND CURANDERÍA. TWO AESTHETIC-POLITICAL ACTIONS IN CHILE AND ARGENTINA POST-COUP (1983): a trans-modern perspective of aesthetics	05/05/2020
CLAUDIA BOTELHO	Fayga Ostrower: When art touches theory and theory touches art.	04/11/2016
ROSEMERY CASOLI	FEMALE TRANSGRESSOR BODY: ART BREAKING STIGMS IN A DIALOGUE TO FIGHT DOMESTIC VIOLENCE PRACTICED AGAINST WOMAN	23/06/2020
LUISA MENDES ARRUDA	Flavio de Carvalho: a clothing phylogenetic	20/04/2016
TAMARA SILVA CHAGAS	From criticism to the New Criticism: the several incursions of the critic and creator Frederico Morais	23/08/2012
GLAUSTON CORREIA MARIANO	FROM NEW LOOK TO CONTEMPORARY: The contribution of fashion to performances in Brazil	27/10/2023
HUGO BERNARDINO RODRIGUES	FUNDAMENTALS OF PAINTING APPLIED IN THE PRODUCTION OF CONCEPT ART: Study of the creative process of the artist Nicolas Weis for the digital animation film The Croods (2011)	27/05/2020
RICARDO JOSÉ DE CAMPOS	Gesture, form and color in Tomie Ohtake's painting	19/05/2017
NIVIA VALERIA DOS SANTOS	Hélio Oiticica: the supreme order of color	14/03/2012
LAYS GAUDIO CARNEIRO	Image formation in the cinematographic language of Julio Bressane	27/05/2020
SANDRO DE SOUZA NOVAES	Imagining the art: a study on the technical images under Flusser's Philosophy and its insertion in contemporary art	17/11/2016
MONICA ELISA CONTRERAS GODINEZ	MATERIALITY AND CONFLICT: visions about corporallity and the artistic object by three Latin american artists. Janine Antoni, Teresa Margolles and Doris Salcedo	09/05/2017
ELZA HELOISA FILGUEIRAS FORMIGONI	Metamorphosis of the Christianity: time and hybridisms, permanencies and (dis)continuities of the pagan mythology in images by Moralized Ovid	15/12/2011
SILFARLEM JUNIOR DE OLIVEIRA	"O mesmo": tautology and political in the conceptual art	26/05/2014
FABIENE PASSAMANI MARIANO	Patrimony and memory: the Holy Ghost in Viana, State of Espírito Santo.	09/10/2012
CLERISTON BOECHAT DE OLIVEIRA	Photography as Modern Art: Walker Evans' documentary style in American Photographs.	02/04/2013
MATHEUS CORASSA DA SILVA	PROFANED BODIES, MUTILATED BODIES. BETWEEN BERNAT MARTORELL (1390-1452) AND CARAVAGGIO (1571-1610): JOHN BAPTIST IN SCENE	05/04/2018
MARCIA CAROLINA RUBIM SIQUEIRA	Propose to Propose Participatory Strategies in Hélio Oiticica	05/09/2018
JANAYNA ARAUJO COSTA PINHEIRO	[pro]positions on narrative in the work of Cildo Meireles	28/05/2014
FLAVIA SANGIORGI DALLA BERNARDINA	Reflections on authorship and appropriation in contemporary art: from Adrian Piper to Zoe Leonard	31/07/2020
LÉA ARAUJO RODRIGUES DA SILVA	REFLECTIONS ON PROVOS AND BEYOND	28/07/2021

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MSc Dissertation (by research)

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