Name: MARCELO FERREIRA DA SILVA
Publication date: 29/06/2018
Advisor:
Name |
Role |
|---|---|
| ANGELA MARIA GRANDO BEZERRA | Advisor * |
Examining board:
| Name |
Role |
|---|---|
| ANGELA MARIA GRANDO BEZERRA | Advisor * |
Summary: The research develops a reflection abut the Teatro Urgentes poetics, revealing its genealogy, conceptual dimensions and references assimilated mainly of the visual and audiovisual arts in a procedure that approaches to the theater post-dramatic, concept formulated by the German playwright and theorist Hans-Thies Lehmann referring to the multifaceted scenic processes that characterized the theater from the 1970s to the 90s of the 19th century. XX. These scenic propositions are situated between languages such as plastic arts, music, dance, cinema, video, performance and new media. I present as a case study a raid throught the backstage and the assembling strategies of the works Um Corpo que Cai (One Body That Falls) (2014) and Crash, Ensaio sobre a Falência (Crash, Essay on Bankruptcy) (2015), of the Teatro Urgentes repertoire, which were selected due to the diversity of aesthetic solutions that insert them in the composition of a performative theater whose core would be in the body of the actor.
Keywords: theater; performance; post-dramatic.
