MSc Dissertation (by research)

Student Title Defense datesort descending
TATIANA CAMPAGNARO MARTINS 14/09/2016
PÓLEN PEREIRA SARTÓRIO TRANSLATION AS SITE SPECIFIC: a look over the works Juntamentz, by Raquel Garbelotti, and On Translation, by Antoni Muntadas 23/09/2016
CLAUDIA BOTELHO Fayga Ostrower: When art touches theory and theory touches art. 04/11/2016
THIAGO ARRUDA ART GALLERY ÁLVARO CONDE: The intimacy of a missing memory. From history to exhibitions between the 1980s and 1990s 16/11/2016
SANDRO DE SOUZA NOVAES Imagining the art: a study on the technical images under Flusser's Philosophy and its insertion in contemporary art 17/11/2016
ELTON RIBEIRO PINHEIRO 25/11/2016
PIATAN LUBE MOREIRA Social practice: another ways to be an artist 06/12/2016
PRISCILLA GUIMARÃES MARTINS THE BOOK AS AN ARTISTIC OBJECT: Perspectives of the Wlademir Dias-Pino's poem-book in contemporary art. 09/12/2016
KATLER DETTMANN WANDEKOKEN Alex Vallauri: Graffiti and the city of affections 13/01/2017
EDUARDO COSTA MADEIRA The surface-image in Takashi Miike 06/04/2017
BARBARA DANTAS BATISTA COVRE The Architecture in Cantigas de Santa Maria 13/04/2017
MARIANNA PEDRINI BERNABÉ The accident in Moyra Davey's photographs and the logic of the index 02/05/2017
BRUNA WANDEKOKEN COLOR, PORTRAIT AND IDENTITY: Humanae, the look on each other and on the other In the work of Angelica Dass 04/05/2017
MONICA ELISA CONTRERAS GODINEZ MATERIALITY AND CONFLICT: visions about corporallity and the artistic object by three Latin american artists. Janine Antoni, Teresa Margolles and Doris Salcedo 09/05/2017
RICARDO JOSÉ DE CAMPOS Gesture, form and color in Tomie Ohtake's painting 19/05/2017
ANDREIA FALQUETO LEMOS Relations between Painting, Photography and Image in the contemporary art 29/06/2017
MICHELE CORDEIRO DA SILVA THE BODY IN CHRISTIAN ICONOGRAPHY: THE ALTARPIECE OF SAINT VINCENT OF SARRIA (1455-1460) 13/07/2017
GUSTAVO BARATA LEONARDO The Social Media Art: post-production procedures from Anne Horel and Petra Cortright 14/07/2017
PAULA DE SOUZA SANTOS GRACIOLLI SILVA Resonances of the representation of medieval peasant’s labor in Jean-François Millet’s (1814-1875) art 14/07/2017
JACYARA CONCEIÇÃO ROSA MARDGAN CAXAMBU OF THE HORIZON THE ANDORINHA: MEMORY AND BELONGING TO BLACK CULTURE 31/07/2017
DARIO IVAN RAMIREZ PEDRAZA Considerations on the concept of Void in the artistic production of artists Waltercio Caldas and Gordon Matta-Clark 25/08/2017
DANIELLEN WELSING NOGUEIRA The participations and evocation of olfactory memories in the production of the artist Josely Carvalho 31/08/2017
PETRUSKA TONIATO VALLADARES Beyond the pictorial plane: appropriation and transmutation in the work of Leda Catunda 21/09/2017
SIGRID AZEVEDO TAVARES THE MAIL ART OF PAULO BRUSCKY: from performance to postcard 21/09/2017
MANUEL BENVINDO SOLUELO TERRITORIALITIES AND EXPANDED VISIBILITIES: OTHER RELATIONS IN THE SCULPTURE LANGUAGE IN ANGOLA 14/12/2017
FABIANE VASCONCELOS SALUME ZIMERER Aesthetic elements and symbolic relations in the ritual of the Reis de Boi 20/12/2017
RAIARA KELLEM CARDOSO ROCHA The Present: some reflections on the relationship between mirror, photograph and spectator in the Michelangelo Pistoletto's Mirror Paintings. 15/03/2018
ANDRÉ NASCIMENTO ARÇARI THE MOVING IMAGE AND THE SPACE-TIME: BILL VIOLA IN MEDITATIONS 26/03/2018
MATHEUS CORASSA DA SILVA PROFANED BODIES, MUTILATED BODIES. BETWEEN BERNAT MARTORELL (1390-1452) AND CARAVAGGIO (1571-1610): JOHN BAPTIST IN SCENE 05/04/2018
THAYS ALVES COSTA THE IDEALS OF JEAN DUBUFFET FOR THE DESIGN OF BRUT ART 11/04/2018

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