Name: NICOLAS OLIVEIRA SOARES
Publication date: 29/05/2015
Advisor:
Name |
Role |
|---|---|
| RICARDO MAURICIO GONZAGA | Advisor * |
Examining board:
| Name |
Role |
|---|---|
| APARECIDO JOSE CIRILO | Internal Examiner * |
| RICARDO MAURICIO GONZAGA | Advisor * |
Summary: The dissertation focuses on the intimate aspects as manifestation in contemporary photographic production. It is intended an outline of the self -intimate, everyday, páthos; and even the aesthetic artifice of the very photography, within its technical and poetic ability. It is considered that the construction of this photographic repertoire, a kind of narrative that approaches photographer-photographed and subsequently photo-viewer is formatted mediated by memory accesses. The analysis raised is dedicated to photographers who record the other and establish to somehow an anthropological character in this approach. Photographers ones from the early twentieth century that turned their eyes to the marginal and colloquial life situations. Finally, as a result, we present concepts for reading this photographic artistic production that since the first performances of the naked body, for example, it has been developed with great relevance in the contemporary photographic scene.
