Name: RAPHAEL GENUINO DE ARAUJO

Publication date: 19/08/2016

Summary: This research aims to analyze a number of film productions coming from the American punk and English environment, between the years 1976 - 1990, from reflections on their political, economic, and aesthetic appearance of corporeality punk. Search, first, understand the economic-aesthetic relations that run through the history of punk and its manifestations, which assume a divergence agenda to mainstream culture and capitalism. The dissertation tries to establish links between cinema, punks aesthetic elements and commitments from grouped films in three trends: No Wave Cinema, Cinema Of Transgression and Cinema Punk English, while confirming the inseparability of politics, economy and aesthetics, WHEREas these films make it possible to access punk experience even from a current point of view. For this, are important authors as Stacy Thompson, Jacques Rancière, Walter Benjamin, Gilles Deleuze and Felix Guattari, which will help in the theoretical articulation of these concepts. In the same way, through contributions from David Le Breton, Jim Ellis and Nízia Villaça work intends to highlight the possible body using strategies such as film and symbolic support of the punk movement. Keywords: Cinema Punk, Punk, Economy, DIY, Aesthetic, Subculture.

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